But in the presence of alphas, they are second on command and are the right hand man/woman of alphas. Their scent is also calming to omegas and alphas.ĭeltas are similar to alphas but only psychologically, that is to say they are aggressive and territorial. Betas can have reproduction with Alphas but when the knot is shoved in they experience varying degrees of pain. Female betas are the same as humans in our world, they have menstruations (that time of the month) and can become pregnant. They cannot reproduce with omegas or become pregnant from alphas. One is that they have a very weak scent, they have one but their glands do not produce it as heavily as alphas or omegas. They are always on top during reproduction.īetas are basically your everyday human with some exceptions. This scent can induce heats in omega or arouse them. Alpha usually have a strong musky scent and sometimes smell of different spices. Female alphas however cannot become pregnant and so the womb doesn't exist. Regarding Alpha females, they lack the penis that their counterparts have, so in place of the penis, their is a retractable member. The knot is a bundle of muscles that expand when the alpha is close to climaxing and is pushed into the omega to lock themselves in to ensure the omega catches. Among one of the common traits is the knot at the base of an alphas member. Alphas have many things that differentiate them from the other types, ranging from physical characteristics, psychological attributes, and physiology. They are very protective of what's theirs and can be highly aggressive. To get one thing straight, all the types can have scent glands, more on that later.Īlpha's are the highest rank/type in the omegaverse. But you may be wondering what they really do don't you? Well then let me explain the common three, as well as the additional three. As well as excluding this type, it can include it and many other types of ranks such as the delta, gamma, and sigmaĪs explained above, A/B/O stands for alpha, beta, and omega. But some exclude the beta and this results in the A/O universe arc. Commonly, in fics with this universe, you see these three types. This system is what also gives it the name "omegaverse" as well as the short term A/B/O. That is to say, the alpha, beta, and omega. The Omegaverse is an alternate universe following the hierarchy of wolves. Anyways, in this guide I will introduce to the complex and simple universe that is the Omegaverse! So sit back, get comfy, and enjoy! Though I do not need to explain, I just felt lime saying that. As Greek letters are more often than not used as variables in mathematical formulas, a Greek letter appearing similar to the TeX rendering is more likely to be encountered in works involving mathematics.Hello dear reader(s). This is in line with the convention that variables should be italicized. The font used in the TeX rendering is an italic style. The table below shows a comparison of Greek letters rendered in TeX and HTML. The OpenType font format has the feature tag "mgrk" ("Mathematical Greek") to identify a glyph as representing a Greek letter to be used in mathematical (as opposed to Greek language) contexts. The Greek letter forms used in mathematics are often different from those used in Greek-language text: they are designed to be used in isolation, not connected to other letters, and some use variant forms which are not normally used in current Greek typography. In mathematical finance, the Greeks are the variables denoted by Greek letters used to describe the risk of certain investments. The Bayer designation naming scheme for stars typically uses the first Greek letter, α, for the brightest star in each constellation, and runs through the alphabet before switching to Latin letters. The archaic letter digamma (Ϝ/ϝ/ϛ) is sometimes used. Sometimes, font variants of Greek letters are used as distinct symbols in mathematics, in particular for ε/ϵ and π/ϖ. Small ι, ο and υ are also rarely used, since they closely resemble the Latin letters i, o and u. Those Greek letters which have the same form as Latin letters are rarely used: capital A, B, E, Z, H, I, K, M, N, O, P, T, Y, X. In these contexts, the capital letters and the small letters represent distinct and unrelated entities. Greek letters are used in mathematics, science, engineering, and other areas where mathematical notation is used as symbols for constants, special functions, and also conventionally for variables representing certain quantities.
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The dynamics of the square root map on a Sturmian subshift are well understood. We proved that the square root map preserves the languages of Sturmian words (which are optimal squareful words). We apply our results to the symbolic square root map $\sqrt\) of s is the infinite word \(X_1 X_2 \cdots \) obtained by deleting half of each square. This result can be interpreted as a yet another characterization for standard Sturmian words. A particular and remarkable consequence is that a word $w$ is a standard word if and only if its reversal is a solution to the word equation and $\gcd(|w|, |w|_1) = 1$. We apply a method developed by the second author for studying word equations and prove that there are exactly two families of solutions: reversed standard words and words obtained from reversed standard words by a simple substitution scheme. We consider solutions of the word equation $X_1^2 \dotsm X_n^2 = (X_1 \dotsm X_n)^2$ such that the squares $X_i^2$ are minimal squares found in optimal squareful infinite words. We also give a characterization of 2-repetitive sequences and solve the values of M(α) for 1≤α≤15/7. In this paper, we study optimal 2-repetitive sequences and optimal 2 -repetitive sequences, and show that Sturmian words belong to both classes. We call the everywhere α-repetitive sequences witnessing this property optimal. In both cases, the number of distinct minimal α-repetitions (or α -repetitions) occurring in the sequence is finite.A natural question regarding global regularity is to determine the least number, denoted by M(α), of distinct minimalα-repetitions such that an α-repetitive sequence is not necessarily ultimately periodic. If each repetition is of order strictly larger than α, then the sequence is called everywhereα -repetitive. Such a sequence is defined by the property that there exists an integer N≥2 such that every length-N factor has a repetition of order α as a prefix. We consider this topic by studying everywhereα-repetitive sequences. The author's easily-readable style combined with the profusion of exercises and references, summaries, historical remarks, and heuristic discussions make this book useful either as a text for graduate students or self-study, or as a reference work for the initiated.Local constraints on an infinite sequence that imply global regularity are of general interest in combinatorics on words. Among the advanced topics are a thorough treatment of maximal functions and their usefulness in ergodic theory, analysis, and probability, an introduction to almost-periodic functions and topological dynamics, a proof of the Jewett-Krieger Theorem, an introduction to multiple recurrence and the Szemeredi-Furstenberg Theorem, and the Keane-Smorodinsky proof of Ornstein's Isomorphism Theorem for Bernoulli shifts. At the introductory level, the book provides clear and complete discussions of the standard examples, the mean and pointwise ergodic theorems, recurrence, ergodicity, weak mixing, strong mixing, and the fundamentals of entropy. Each of the four basic aspects of ergodic theory - examples, convergence theorems, recurrence properties, and entropy - receives first a basic and then a more advanced, particularized treatment. By selecting one or more of these topics to focus on, the reader can quickly approach the specialized literature and indeed the frontier of the area of interest. Karl Petersen has written a book which presents the fundamentals of the ergodic theory of point transformations and then several advanced topics which are currently undergoing intense research. The study of dynamical systems forms a vast and rapidly developing field even when one considers only activity whose methods derive mainly from measure theory and functional analysis. On the other hand, for the so-called "consecutive" ordering, the Vershik map is not strongly mixing on all finite rank diagrams. We then prove that the Vershik map on the path space of an exact finite rank diagram cannot be strongly mixing, independent of the ordering. Several examples illustrate the broad range of possible behavior of finite type diagrams and invariant measures on them. One of these is a condition of exact finite rank, which parallels a similar notion in measurable dynamics. A number of sufficient conditions for unique ergodicity are obtained. We further investigate quantitative properties of these measures, which are mainly determined by the asymptotic behavior of products of incidence matrices. It is shown that every ergodic invariant measure (finite or "regular" infinite) is obtained by an extension from a simple subdiagram. We consider Bratteli diagrams of finite rank (not necessarily simple) and ergodic invariant measures with respect to the cofinal equivalence relation on their path spaces. The hammers feel like they’ve been nicely played in, with each note strike demonstrating clear attack and transients, and there’s none of the woolliness often associated with newer instruments. This isn’t the case here, as the mids are crisp in detail. Moving through the patches, there’s clearly an abundance of tonal contrast, and while there’s no felt piano option, the Mellow Dark patch is a close timbral match, and provides the kind of beautiful depth that a grand piano of this ilk simply can’t replicate.īösendorfer pianos are renowned for their presence in the lower register, while the mid-register can occasionally seem cloudy. Users can take the drier and closer signals and apply onboard effects as desired. While the latter C12 signal is clearly captured via an AKG C12, the other mic-level controls seem to rely on a blend of mics, with the cinematic control adding significant body to the piano’s timbral colour.Īll the basics are covered here – and then some. The initial Basic Dry patch sounds up close and personal but the accessible mic control allows you to tweak that, with three mic-level pots for close, cinematic and mono C12 control. With continued repetition of a single note, the velocity layering alone indicates the lengths to which UVI has gone to capture these samples, as the colours flow from each hammer strike. Upon playing the Austrian Grand, we’re immediately struck by the detailed depth of the sampling. While Falcon offers a wide range of programming options, the free Workstation also provides a clear and uncluttered view that’s highly appealing in its own right. In tune with all UVI libraries, the Austrian Grand and other such content loads into UVI’s free Workstation player or its flagship Falcon package. These are virtually represented in a concise and easy-to-use software instrument format, which invites the player to get on with the playing, while allowing for simplistic but effective tone control through mic levelling. Sample capture took place at Guillaume Tell studios in Paris, with a full complement of microphones. The big coup is the Austrian Grand, UVI’s sampled representation of a Bösendorfer grand piano. The Key Suite Bundle Edition consists of three existing Key Suite packages, Acoustic, Electric and Digital. In light of that, Paris-based UVI has taken up its tuning fork and provided a newly packaged bundle of piano colours, covering all the big acoustic and electric models, including a few you may not have heard of. Having production-ready piano samples to hand saves valuable time in the studio. Yeah when I first started using Spectrasonics they were using the UVI engine (not anymore) Who knows now that UVI is investing iOS perhaps Spectrasonics is looking at it as well?Īttack EP 88 would be great.We all need pianos, right? Does the pope use soft synth plug-ins in the woods? This semi-rhetorical question is clear cut but any self-respecting producer – the proverbial pope included – requires more than a single piano voice, with modern production projects benefitting from a host of different flavours. is focusing on Kontakt, UVI and a few others starting to port their engines to iOS. However, i have the feeling we see more of these tools.Īnd while N.I. UVI´s Attack EP 88 is another favorite from me and it has a lot of magic added. I especially felt in love with the Wing Tack Piano, it´s hard to describe but it has the most awesome tone i ever heard from a sampled key instrument. I even not use the giant 64GB (uncompressed) LA Custom C7 Piano because while it sounds great i´m a bit bored at "normal" piano sound these days. my favorite sampled instruments are the rare collector things from Keyscape (Spectrasonics). While iOS hasn´t really much great pianos and it´s fine to have a few different flavors i hope someone also release something with more character.į.e. Now i wish they consider the Attack EP 88. Check out Stray Kids’ website for more details and purchasing if you’re a fan of the boy band or one of the guys who has been. A business called Stray Kids specializes in creating plush toys that are based on the well-known Korean boy band Stray Kids. Theyre like pets that you dont have to feed or clean up after, and that you can play catch with without fearing injury to them or yourself. Browse the top-ranked list of plush toys below along with associated reviews and opinions. Stray Kids Plushies Cute Leebit Skzoo Plush Cushion. Whether youre shopping for a baby, a toddler, or a child, theres a plush toy out there that will suit your needs. Theyre also the perfect gift for kids (and adults) of all ages. Stop by in-store or shop online to find your new friend today. 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Your Squishmallows will listen intently, happy to hear anything you say. You can tell them what made the day difficult, what you wished happened, and anything else you want to mention. If you’ve had a hard day, you can tell your stuffed plush toys about it. They can easily travel wherever you go and provide the comforts of home even when far away. You can hug them when you need comfort and talk to them when you need someone to listen. Stuffed animals and plush toys are great companions. |